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The Goldsmith "Old" Workplace
Tanged files 1They derive the name from the end of the attack called the tang that penetrates into the wooden handle, but are also called handles or manicured files. Depending on the section they can be flat, almond-shaped with the two convex sides, round half with a flat face and the other convex, mouse-tailed or conical. Among those exposed, two flat files probably have adapted handles, to one of which was wound the wire in place of the regulatory comma; five have turned handles, with various splits; finally the mouse-tail file has a pear grip. In jewellery the file is used in the metal processing by composing two movements: one of translation and one of rotation.
The tongs 2They are also called pincers, tweezers or tongs and have various shapes suitable for different uses to which goldsmiths allocate them. Those with jaws suitable for cutting are also called clippers. The most normal may have flat, flat, round, acute, long, short, hooked, curved, inclined beak with grooves; but often the goldsmith changed his tools to make them more suitable for specific jobs.
Shears 3Tools formed by two crossed blades permanently connected by a pin, ending with stems folded up to meet. They are used to cut small-sized slabs. Aldred emphasizes that for the ancient craftsman the lack of a cutting tool like the modern and useful shears, had to be a considerable disadvantage, which forced him to use hammer and chisel in bronze or copper first and then iron.
Gas blades 4These tools are also called simple bunsen type because they use the gas + air mixture to make the flame more effective; in fact, they have a horizontal tube to be connected to the gas distribution network and the perpendicular barrel with holes for the air intake. The beak stands in particular on the embedding bench and is used by these to soften the putty that fixes the object to be set on the spindles.
Cantilever hammers 5Two examples of hammers used by the goldsmith to emboss and chisel the metal plate. The broad head is used to beat on the embossing and chisel irons; the round shaped tail can be used to embed directly onto the metal plate. The handles show an oval enlargement that facilitates grip, while the grooves prevent the tool from slipping into the sweaty hand.
Bowls for embossing and chiselling 6These tools are also called simple bunsen type because they use the gas + air mixture to make the flame more effective; in fact, they have a horizontal tube to be connected to the gas distribution network and the perpendicular barrel with holes for the air intake. The beak stands in particular on the embedding bench and is used by these to soften the putty that fixes the object to be set on the spindles.
Display of irons 7Zinc plate that the goldsmith built himself and placed on the bench to protect the wood during the weldings. The front part in fact follows the recessed pattern of the bench and in the center a tongue, cut and folded, penetrating between the bench and the stocco, ensures its stability, the other three sides have raised edges, obtained by doubling the welded edge twice at the corners. These barriers were used in particular to hold back the irons that the goldsmith chose for a specific job and that he wanted to be able to grasp quickly without having to choose or extract them from the bottom drawer.
Ring spindles 8These tools are also called simple bunsen type because they use the gas + air mixture to make the flame more effective; in fact, they have a horizontal tube to be connected to the gas distribution network and the perpendicular barrel with holes for the air intake. The beak stands in particular on the embedding bench and is used by these to soften the putty that fixes the object to be set on the spindles.
Wooden wedge "Stocco" 9The examples shown are stocchi used by setters as both bear the marks left by the tips of the burins that the goldsmith planted in the wood to clean them from the oil collected on the stone. In one of the examples an inclined hole was dug in which the ring spindle penetrates with the right inclination and the mastic stops it allowing the setter to work with both hands.
Team and protractor 10Tools for measuring angles. The team, with 90° opening, rests on a bar that forms the pedestal. The goniometer has the division from 0 to 90 and from 90 to 0 on the arc of 180°, on which the hand of the mobile rod marks the exact measurement of the angle.
Compass 11These tools are formed by two movable arms terminated with a point generally held by a spring ring and pierced by an advent with a nut that locks them in the desired position.An ancient and common use tool, compasses are indispensable in the goldsmith activity to trace circles or measure the distance between two points and bring it back between object and object, or drawing and object.
Hand drill 12The hand drill, also called ball, sail or "drilles", consists of a vertical iron axis, at the lower end of which is inserted a tip or a drill fixed to the spindle; higher up is a metal wheel - in ancient times it was the ball - which serves to give stability and pressure during use. Along the axis there is a generally wooden handle which, moved alternately upwards and downwards, after having wound for some laps the cord that connects it to the end of the drill, determines the movement of the same around its own axis. The tool, among the most common is essential to the goldsmith who uses it in many operations: to drill, with a needle point, a spear, a propeller, for reaming, for milling with a hollow or spherical cutter.
Goldsmith's box 13Simple box made of poor material that the goldsmith gave to different uses; for example, the collection of small tools and small items, as evidenced by the divisions inside and the boxes without lid. Characteristics are those with the possibility of closing by padlock where at the end of the day the goldsmith put the work not yet finished.
Torches 14Large torches to melt the metals composed of three tubes: the main one carries the gas, the median one, connected to a bellows, is used for the insufflation of air that mixes with the flame, the third with smaller section serves to keep a flame, called "spy", available.
Stump with anvil 15An upper trunk-conic anvil squares with four well-fixed feet in the stock. The trunk, deprived of the bark and without finishing, has deep splits and some woodworm; in order to soften the hammer blows and to avoid the percussion, three washers and three rubber overhangs are nailed on the lower face. The large hammer, of considerable weight and elegant line, has a square head with rounded corners and a pen with rounded curves. On anvil of this type the goldsmith fights for gold to make it harder and more resistant, and to make it thinner, exploiting the property of the malleability of this metal.
Wigs 16The name derives from the skein of thin wires of soft iron on which the object to be welded rests; the tangle of the wires allows the heat of the flame to circulate and better heat each point of the metal, facilitating the success of the welding process.
Goldsmith's bench 17Bench with shaped and profiled front part with rounded wooden edge for stopping tools. Under the spear there is the drawer for tools with internal division; the large drawer below is lined with a zinc plate with internal corners without edges to facilitate the recovery of the gold that fell during processing. The stool is made of wood with a square seat and four legs connected by strips in order to offer greater stability.
Made of silver 925/1000, with enamels and freshwater pearls. The jewel was handmade by modeling the wax and after shaping metal through the waxed microfusion, it was finished, polished and enamelled.
I wanted to create an object of the past, something that could be distinguished from other jewelry pieces, something that could have been worn both at the time of Empress Maria Theresa of Hapsburg and today.The jewel was born with one of the aesthetic details that mostly characterized the 18th century:“hairstyle".Both men and women at that time gave great emphasis to their appearance, to their outfits. It was the century of a new, peculiar, unmistakable fashion: people lightened their face with face powder, wore silk stockings and flip-flops, but above all, wigs were used to form extravagant hairstyles.For some women, the hair grip was an object of everyday life, and if turned into a jewel it could be worthy of an empress ...
Doralia's code 2018-5019-0014
Made in Italy Product made in Italy, synonymous with quality and design creativity.
DescriptionFantasy flower ring in white silver with pavè of light blue synthetic stones.
Doralia's code 2018-1014-0022
DescriptionHalo ring in 18Kt white gold with an oval emerald and brilliant diamonds.
Doralia's code 2018-1018-0020
DescriptionHalo ring in 18Kt white gold with an oval sapphire and brilliant diamonds.
Doralia's code 2018-1018-0005